Yet unlike the former, he does not engage in diary writing. Like Kierkegaard’s seducer, Damon appears to experience pleasure primarily on an aesthetic level. In the first two seasons of The Vampire Diaries, Damon acts as the series’ primary vampiric seducer. In Kirekegaard’s text, aesthetic pleasure is derived primarily from the narration the seducer creates scenarios solely to improve his diary’s aesthetics. Kierkegaard’s seducer gains pleasure from the possibilities that a seduction offers, rather than from the act of seduction itself.
In “The Seducer’s Diary,” the best-known extract from his major philosophical works, Either/Or, Søren Kierkegaard presents a fictional example of the life of “the seducer,” which he positions in direct opposition to the ethical life. OL15280095W Page_number_confidence 89.41 Pages 238 Partner Innodata Ppi 300 Rcs_key 24143 Republisher_date 20201006062646 Republisher_operator Republisher_time 659 Scandate 20200930003723 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9780691017372 Tts_version 4.2013 (English) In: “The Vampire in Literature, Culture and Film: I: The Vampire Diaries,”, 2013 Conference paper, Oral presentation with published abstract (Other academic) Abstract Įveryone does it in the television series The Vampire Diaries, everyone except Damon, that is.
(Edna Hatlestad), 1913-2007 Boxid IA1951919 Camera USB PTP Class Camera Collection_set printdisabled External-identifier Access-restricted-item true Addeddate 01:06:35 Associated-names Hong, Howard V.
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